A Quick Post from John Marciari, Curator of European Art at the Museum.
In preparation for our upcoming exhibition From Rembrandt's Studio: The Prints of Ferdinand Bol, I've been reading Catherine Scallen's Rembrandt, Reputation, and the Practice of Connoisseurship. One amusing thing mentioned in the Introduction: in 1851, Delacroix wrote in his diary that "someday, perhaps, Rembrandt would be seen as the equal of Raphael." This is a pretty good lesson in how radically tastes change: 150 years later, it would be hard to find many people who would rather see a Raphael than a Rembrandt.
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