AJ: So what was your favorite part of the night?
AP: Well, first let me just say what I like most about the Gallery. What I’ve remarked repeatedly about Gallery get-togethers is how much the members seem to like one another. Folks don’t just come for a lecture, they’re there to rub shoulders with each other. Having said that, as a speaker, our Gallery members are an ideal audience: curious, attentive, and there to have fun.
AJ: And it was great to be able to enjoy a beer in the galleries while listening to you, Amy and John. But seriously, it was very special to have the group see the space, see the works and hear the ideas behind the exhibitions before they are even open to the public. It seems like everyone was excited to bring their friends back when the shows open to share their knowledge of the ‘inside scoop.’
AP: You know, there’s a sort-of nervous energy in the Museum, a real sense of mounting excitement when a show is about to open. What you see at the official opening is an unveiling, the culmination of a lot of effort–
AJ: And what you got to share on Thursday wasn’t just the result, but some of that anticipation.
AP: Exactly. And it was great to see how contagious that excitement can be. Everyone really wanted to talk about the choices we’d made for the shows. All those nitty-gritty details suddenly seemed to matter—and not just to the curator, whose job it is to weigh shades of white…
AP: Even before the Art of North America was fully open, people were milling around, curious —checking out the ‘peach cobbler’ (the coral color in galleries 2 and 3). It certainly got everyone talking.
AJ: I thought Katy’s comment about how even the Board of Trustees doesn’t get that kind of behind-the-scenes glimpse, was very apt. Really reminded us all how special the evening was.
AP: Absolutely, I thought that captured it perfectly.
Top image: Ariel Plotek holds a 'butterfly board,' which is a preparatory map of the exhibition layout.
Lower image: A close-up of the 'butterfly board' for Art of the 20th Century.
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